![]() Peabody Magazine briefly caught up with Fiterstein to check in with the Zimro Project, the ensemble he founded that incorporates Jewish art music into chamber music programs, musician self-care, and this Adalman program, which he describes as “almost like a tasting menu for the audience to try different things.” ![]() ![]() 2 in E-flat major, Francis Poulenc’s Sonate pour clarinette et piano, and Béla Kovács’ Sholem Aleichem Rov Feidman. They met through mutual friends among New York’s chamber musicians, soon started performing recitals together, and Fiterstein regularly invites Brown to his summer clarinet academy in Minneapolis.īrown’s “For Alex” receives its world premiere at the free November 7 recital, which also includes Henri Rabaud’s Solo de concours, Johannes Brahms’ Sonata No. ![]() “When we started talking about the recital, I wasn’t sure that there would be a new Michael Brown piece, but he surprised me a few weeks ago,” Fiterstein says of pianist-composer Brown, with whom the clarinetist has collaborated for approaching 12 years. Woodwinds Associate Professor and Chair Alexander Fitertstein didn’t know he would be debuting a new piece at his upcoming Sylvia Adalman Faculty Recital but he kept his fingers crossed.
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